Showing posts with label Latin. Show all posts
Showing posts with label Latin. Show all posts

Wednesday, March 21, 2012

Paraísos Artificiais de Marcos Prado

In the Northeast of Brazil, during an art and music festival, 3 people come together. From the director of "Estamira", Marcos Prado, and the producers of "Trope de Elite I & II". 

I can't wait to see it. April 27th it will open in all theaters in Brazil. 

Artificial Paradises (?)

It was shot during 7 weeks in Recife, Rio de Janeiro and Amsterdam. 

I found a making-off, but in portuguese.

Thursday, November 17, 2011

Carne Trémula (Live Flesh) by Almodovar

(*****)

Yesterday I finally watched "LIVE FLESH".. A film by my favorite director, Pedro Almodovar. 
Even though this film was made in 1997, he is always capable of surprising me.. He has certain hooks to the film that you can't stop watching, or guessing what will happen. His stories are SO well told and his characters are extremely well-developed.. You understand each and one of them.. 

Starting from a prostitute who has her baby in a bus late at night, to her son after growing up - having to go to jail because of a gunshot after falling in love/going crazy about another prostitute addicted to crack. 

This one, I specifically love one shot.. Where he shows the Point-of-View of the gun. Its unbelievable! There is also a beautiful sex scene! One of the most beautiful ones I've ever seen! 

You SHOULD check it out, its online on netflix!

Official Trailer


Curiosities: The lady who delivers the baby with Penelope Cruz in the bus, on the first scene, is Javier Bardem's mother, Pilar. 


Quotes: 



Friday, June 17, 2011

Frida Kahlo, our colorful Mexican

Frida!!! How can I start writing about this amazing woman? 

She was born July 6th, of 1907 (Sign: Cancer), in Coyoacan, Mexico, under the name: Magdalena Carmen Frieda Kahlo y Calderon. 


When she was 6, she developed Polio, which made her right leg seem much thinner than the other one. Because of this, Frida would use long skirts and dresses, to disguise. She suffered from various health problems because of the accident that she suffered when she was 18/19 years old. An iron handrail pierced her abdomen and uterus, which left her childless, but full of dolls and pets. She was in bed for a long time, but her parents found a way so that she could PAINT, she had just abandoned the idea of becoming a doctor. 

Frida always witnessed a lot of violence. During the Mexican Revolution (1910) she was hearing gunfires on her street, in her teenage years she boxed and had dated violent men. She went through more then 35 operations after her accident. So, her work always showed a lot of pain. 


"I paint myself because I am so often alone and because I am the subject I know best."

This sentence describes a lot about her. Out of 143 paintings, 55 were her self-portraits. 

Her symbol was a monkey - in Mexico, a symbol for LUST. 
Frida was an admirer of Diego Rivera, her soon to-be husband in 1929, and met him to ask him an advice in pursuing an art career, and so they married. It was a troubled marriage, they were both temperamental and has affairs with other people. She was bisexual, (one of the most interesting things I read), which Diego tolerated, but he just couldn't deal with her affairs with other men (i.e. Trotsky). She once had an affair with Josephine Baker, a dancer, actress, and singer. On the other hand, Diego was having an affair with her younger sister, Cristina. 

"I never painted dreams, I painted my own reality.

Influenced by the Indigenous Mexican Culture she always used bright colors and dramatic symbolism. She became more well-known with the artistic style: NEOMEXICANISMO, before she was just know as "Diego Rivera's Wife".

Before Frida died, she wrote in her journal:

"I hope the exit is joyful - and I hope never to return."

She was born and died in the same place, The Blue House, on July 13th, 1954, when she was 47 years old. Diego said is was the most tragic day of his life, and that he realized that the most wonderful part of his life had been his love for her (realized too late). 


This is one of my favorite pictures of Frida. This was in front of her house, with her pet, smoking her cigarette. She was always using drugs, whether they were painkillers, cigaretts, alcohol, or whatever. Between her friends/family she was known to have a great sense of humor, which you can see in this picture - Can you?

After her use of alcohol with her painkillers, her painting began to change - they were looser, hurried, with a lack of detail. 

Self Portrait with a portrait of Diego on the Breast and Maria Between the Eyebrows

Self Potrait with Stalin

I found something interesting, an explanation of the colors she uses in her art, in her diary.

GREEN: good warm light
MAGENTA: Aztec. Old TLAPALI blood of prickly pear, the brightest and oldest
BROWN: color of mole, leaves becoming earth
YELLOW: madness, sickness, fear (part of the sun and of joy)
COBALT BLUE: electricity and purity love
BLACK: nothing is black - really nothing
LEAF GREEN: leaves, sadness, science; the whole of Germany is this color
GREENISH YELLOW: more madness and mystery, all the ghosts wear clothes of this color, or at least their underwear
DARK GREEN: color of bad advertisements and a good business
NAVY BLUE: distance... also tenderness can be this blue
RED: blood? Well, who knows?

:: Researching this woman was so inspiring. Understanding the story behind all those colors and her unibrow was catalyst. ::

"Feet, what do I need you for when I have wings to fly?"

"I love your more than my own skin."

Friday, March 18, 2011

"Before Breakfast" Directed by Moema Umann

BEFORE BREAKFAST was accepted and will be screened at the SHORT CORNER @ CANNES FESTIVAL. I had the pleasure to be a part of this project, and I would like to share a bit of it with you.

Moema Umann is the type of person whom anything she touches will turn out to be successful. She does it with passion, and she does it with love and commitment.

ABOUT: 

--- Alfred Rowland finds himself trapped by an unaware life of self destruction. His tormented wife, emotionally and physically, reminds him in order to face what he has created. Alone in his room, will he discover the answer? ---

TRAILER:


DIRECTOR'S STATEMENT: 

Many years ago I worked on the one act play “Before Breakfast” by Eugene O’Neill. On this play we see only a woman on the stage and we know, through her words, that her husband Alfred is in the other room. During the whole play we never see him, we just imagine him. As she speaks and points out their personal problems, we get to understand that Alfred is hung over, waking up, getting dressed and shaving in the bedroom. And that is all the information we get from her about what he is doing in the other room. As the action happens, at the end, again, only through her words and actions, we assume that he just killed himself.
While working on the play it was Alfred’s character that always intrigued me the most.  I kept asking myself, what was this man doing while his wife was talking restlessly? How miserable his life could be? Why he never answered her, not even once? Etc. This question also resonated a lot with my own personal life. Being a suicidal survival (that is how people who lost a loved one to suicide is called) I felt the necessity of bringing the theme up. There is still a big taboo around this subject, no ones talk about it. Now looking back, I wished somebody would have talked to me about how to cope with it. Having all that in mind, I decided to do the opposite of what Eugene O’Neill brilliantly did.  On this movie I show only Alfred’s point of view of the situation. On the movie we only hear her, we never see her. And throughout her lines, we see what is happening to him in the bedroom. Differently to the play, on this movie version we never see her, we just imagine her. It is very important to make clear that this film is not based or inspired on Eugene O’Neill’s idea of what happens to Alfred. Even though we hear the words he wrote, Ms. Rowland doesn’t mention what he is doing in the room throughout the whole time of the play, and personally, I do not believe it is fair to assume that what I imagined he was doing in the room is also what O’Neill would have had imagined for him. And by choosing not to show her, and choosing just to hear her how Alfred hears her, we only understand a less deep facade of her character, what is also not what Eugene O’Neill shows on his brilliant play with all the details that can be explored. Saying all that, I strongly affirm that this movie is purely telling a story of a man fighting his personal battles, in the way he sees his situation at that specific morning after all he put himself through.

To achieve that idea, the camera plays different roles on this production. At some moments it is an observer, sometimes it is his eyes, sometimes his memories and at last it is an emotional commentator about how the story ends.  


Moema Umann


For More Info Visit: BEFORE BREAKFAST
Press Kit will be available on the website, soon.

Sunday, February 06, 2011

Felipe Morozini

I found out about Felipe Morozini some months ago. I went to Pinta Art Show, and discovered Zipper Galeria located in Sao Paulo, Brazil. Felipe's photography called my attention. He has a certain "voyeuristic" style, and that intrigues me. 

A couple of days ago, since I'm visiting Sao Paulo, my home city, I went to Zipper to see their new exhibition. Talking to the owner, I told him what attracted me in photography, and I love, when women are subjects or themes. He told me he had a picture I would love, and showed me this one below. 

Bico, Photograph by Felipe Morozini (c)

I can't forget this picture. It's as simple as that. Every time I talk about art or photography, this picture comes to my mind.
Obviously, the subject is not looking at her wallet, or herself in the mirror, she is looking back at the voyeur, or so I believe. Felipe was able to capture in perfect timing, a very sexual part of her body, and while the wall covers another one.
I love the colors, the framing, the story behind the picture. And this is for sure, one of my biggest inspirations.
Below, you can find some other of his photographs. 
 Both Photographs above: "Untitled" by Felipe Morozini (c)


Click HERE to see his Flickr.

Friday, September 10, 2010

Latin Beat 2010

The LatinBeat's 13th Edition began Wednesday at the Lincoln Center... They have 16 films from 8 different countries, and special events of Women in Film. 

I will hopefully be able to see at least 3 of them. And will come back here to comment on them. 

Click HERE to see what's going on.

Here is the trailer for EVA Y LOLA, a film from Argentina that I really want to see.